"Sechs Deutsche Lieder, Op. 103, No. 4: Wiegenlied" by Louis Spohr, August Heinrich Hoffmann von Fallersleben, Clenice Ortigara, Jairo Wilkens, Marília Vargas was released on December 21, 2017. The duration of Sechs Deutsche Lieder, Op. 103, No. 4: Wiegenlied is about 3 minutes long, at 3:13. Based on our data, "Sechs Deutsche Lieder, Op. 103, No. 4: Wiegenlied" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Viagem Infinita by Clenice Ortigara, Jairo Wilkens, Marília Vargas. The song's track number on the album is #4 out of 13 tracks. Based on our data, Brazil was the country where this track was produced or recorded. The popularity of Sechs Deutsche Lieder, Op. 103, No. 4: Wiegenlied is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sechs Deutsche Lieder, Op. 103, No. 4: Wiegenlied by Louis Spohr, August Heinrich Hoffmann von Fallersleben, Clenice Ortigara, Jairo Wilkens, Marília Vargas has a tempo of 172 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Sechs Deutsche Lieder, Op. 103, No. 4: Wiegenlied being at 172 BPM, the half-time would be 86 BPM with a double-time of 344 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Faust, Act I (1852 Version): Wohlan, hinweg aus diesem Sinnentaumel | Louis Spohr, Michael Vier, Eelco von Jordis, Bielefeld Philharmonic Orchestra, Geoffrey Moull | F♯ Major | 1 | 2B | 112 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Faust, Act III (1852 Version): Sprecht Wo find ich den Geliebten? | Louis Spohr, Michael Vier, Eelco von Jordis, William Pugh, Diane Jennings, Ion Bric, Martin Eichwalder, Drummond Walker, Ulrich Neuweiler, Helmut Kegler, Claudia Taha, Drew Abbott, Maria Kowollik, Bielefeld Philharmonic Orchestra, Geoffrey Moull | A♭ Major | 1 | 4B | 132 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM |
Section: 0.5565071105957031
End: 0.5616710186004639