"Andante Spianato and Grand Polonaise, Op. 22 in E-flat: Andante spianato" by Frédéric Chopin, Arthur Rubinstein was released on 1946. Andante Spianato and Grand Polonaise, Op. 22 in E-flat: Andante spianato is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 151 in the song's album "The Original Jacket Collection - Rubinstein Plays Chopin". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Andante Spianato and Grand Polonaise, Op. 22 in E-flat: Andante spianato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andante Spianato and Grand Polonaise, Op. 22 in E-flat: Andante spianato by Frédéric Chopin, Arthur Rubinstein having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in G Major, Op. 37, No. 2 | Frédéric Chopin, Vladimir Feltsman | G Major | 0 | 9B | 66 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | ||
Nocturnes, Op. 37: No. 1 in G Minor | Frédéric Chopin, Arthur Rubinstein | E♭ Major | 0 | 5B | 101 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Chopin: Scherzo No. 2 in B-Flat Minor, Op. 31 | Frédéric Chopin, Simon Trpčeski | D♭ Major | 1 | 3B | 131 BPM |
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