"24 Preludes, Op. 34: No. 18 in F Minor. Allegretto" by Dmitri Shostakovich, Tatiana Nikolayeva was released on September 1, 1992. With 24 Preludes, Op. 34: No. 18 in F Minor. Allegretto being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Shostakovich: 3 Fantastic Dances; 24 Preludes Op. 34; Piano Sonata No 2". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. 24 Preludes, Op. 34: No. 18 in F Minor. Allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Preludes, Op. 34: No. 18 in F Minor. Allegretto by Dmitri Shostakovich, Tatiana Nikolayeva having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: III. Moderato | Dmitri Shostakovich, Alexander Melnikov, Teodor Currentzis, Jeroen Berwaerts, Mahler Chamber Orchestra | A♭ Major | 1 | 4B | 107 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
Piano Quintet in A Minor, Op. 14: III. Presto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | A Major | 1 | 11B | 77 BPM | ||
4 Piano Pieces, Op. 119: 3. Intermezzo in C | Johannes Brahms, Nelson Freire | E♭ Major | 2 | 5B | 123 BPM | ||
24 Preludes, Op. 34: No. 9 in E Major. Presto | Dmitri Shostakovich, Tatiana Nikolayeva | G Major | 1 | 9B | 63 BPM | ||
Fünf Skizzen, Op. 114: I. Landschaft | Jean Sibelius, Leif Ove Andsnes | E♭ Major | 0 | 5B | 96 BPM | ||
7 Short Pieces for the Cultivation of Polyphonic Playing, BV 296: No. 1, Preludietto. Allegro | Ferruccio Busoni, Marc-André Hamelin | C Minor | 2 | 5A | 96 BPM | ||
4 Piano Pieces, Op.119: 2. Intermezzo In E Minor | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Valses oubliées, S. 215: No. 1, — | Franz Liszt, Goran Filipec | B♭ Major | 2 | 6B | 67 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | A♭ Major | 1 | 4B | 147 BPM |
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