- BPM
- 0
- Key
- B♭ Major
- Camelot
- 6B
L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt - Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine Information
- Acousticness
- 92%
- Danceability
- 0%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 71%
- Speechiness
- 0%
- Valence
- 0%
- Popularity
- 5%
- Loudness
- -17.682 dB
Summary
"L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt" by Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine was released on January 1, 1992. The duration of L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt is about 3 minutes long, at 3:16. Based on our data, "L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 20 in Donizetti:L'elisir d'amore - Highlights by Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Leo Nucci, Enzo Dara, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt BPM
The tempo marking of L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt by Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
L'elisir d'amore / Act 2: "Io son ricco e tu sei bella" - Excerpt Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Alceste (1997 Digital Remaster): Divinités du Styx | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | F Major | 1 | 7B | 86 BPM | |
 | Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM | |
 | The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | |
 | Puccini: Turandot, Act 3: "Nessun dorma!" (Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 1 | 10B | 79 BPM | |
 | Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Franco Corelli, Alfredo Mariotti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | F Major | 3 | 7B | 85 BPM | |
 | Il Barbiere di Siviglia: Ehi, Fiorello? | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 4 | 7B | 140 BPM | |
 | Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | |
 | Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | |
| Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | |
 | Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM |
- ISRC
- DEF058931034
- Label
- L-M Records/RCA Records
Section: 0.7958612442016602
End: 0.8003103733062744