Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto
Antonín Dvořák, New York Stadium Symphony Orchestra, Leonard Bernstein
Bernstein: The 1953 American Decca Recordings
8:51 January 1, 2004
BPM
64
Key
E Minor
Camelot
9A

Embed

Share Link

Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto - Antonín Dvořák, New York Stadium Symphony Orchestra, Leonard Bernstein Information

Acousticness
78%
Danceability
20%
Energy
27%
Instrumentalness
88%
Liveness
21%
Loudness
79%
Speechiness
3%
Valence
14%
Popularity
Loudness
-12.384 dB

Summary

"Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto" by Antonín Dvořák, New York Stadium Symphony Orchestra, Leonard Bernstein was released on January 1, 2004. Since Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 52 in Bernstein: The 1953 American Decca Recordings by New York Stadium Symphony Orchestra, Leonard Bernstein. Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto BPM

The tempo marking of Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto by Antonín Dvořák, New York Stadium Symphony Orchestra, Leonard Bernstein is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante by Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří BělohlávekVariations on a Rococo Theme, Op. 33, TH 57: Var: VI. AndantePyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří BělohlávekD Major010B114 BPM
Klid, Op. 68, No. 5, B. 182, Klid, Op. 68, No. 5, B. 182, "Silent Woods": Klid (Silent Woods), Op. 68, No. 5, B. 182Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic OrchestraB Minor110A82 BPM
Zapateado Op. 23 by Pablo de Sarasate, Sarah Chang, Charles AbramovicZapateado Op. 23Pablo de Sarasate, Sarah Chang, Charles AbramovicA Major311B113 BPM
Violin Sonatina in G Major, Op. 100, B. 183 (arr. J. Balint): II. Larghetto by Janos Balint, Antonín Dvořák, Zoltán KocsisViolin Sonatina in G Major, Op. 100, B. 183 (arr. J. Balint): II. LarghettoJanos Balint, Antonín Dvořák, Zoltán KocsisG Minor06A75 BPM
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto by Antonín Dvořák, Prague Chamber Orchestra, Josef VlachCzech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con motoAntonín Dvořák, Prague Chamber Orchestra, Josef VlachG Major19B142 BPM
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro by Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyOboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. AllegroAntonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyD Minor17A129 BPM
Grandes Etudes de Paganini, S.141: No.6 In A Minor by Franz Liszt, Daniil TrifonovGrandes Etudes de Paganini, S.141: No.6 In A MinorFranz Liszt, Daniil TrifonovA Minor28A119 BPM
Holberg Suite, Op. 40: 2. Sarabande (Andante) by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviHolberg Suite, Op. 40: 2. Sarabande (Andante)Edvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviG Major09B75 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": Theme (Andante)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Minor06A113 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7054815292358398

End: 0.7102208137512207