"Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto" by Antonín Dvořák, New York Stadium Symphony Orchestra, Leonard Bernstein was released on January 1, 2004. Since Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 52 in Bernstein: The 1953 American Decca Recordings by New York Stadium Symphony Orchestra, Leonard Bernstein. Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto by Antonín Dvořák, New York Stadium Symphony Orchestra, Leonard Bernstein is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Klid, Op. 68, No. 5, B. 182, "Silent Woods": Klid (Silent Woods), Op. 68, No. 5, B. 182 | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | B Minor | 1 | 10A | 82 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Violin Sonatina in G Major, Op. 100, B. 183 (arr. J. Balint): II. Larghetto | Janos Balint, Antonín Dvořák, Zoltán Kocsis | G Minor | 0 | 6A | 75 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |
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