Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo) - Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra Information

Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra's 'Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo)' came out on 1982. With Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 14 out of 35. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo) BPM

We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo) by Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 1: Mille pene, ombre moleste (Orfeo) Key

F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.