Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman made "Revingehed (Södra skånska regementet)" available on 1995. With Revingehed (Södra skånska regementet) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 70 in the song's album "Sång och spel från mäss och hed". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Revingehed (Södra skånska regementet)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Revingehed (Södra skånska regementet) by Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe (Arr. for Organ by Tracey) | George Frideric Handel, Ian Tracey | D Major | 2 | 10B | 64 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Kyrie, Eleison (De Angelis) | Capella Gregoriana Easo | D Major | 2 | 10B | 92 BPM | ||
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
Andro | Traditional, Jessica Baran-Surel | G Minor | 5 | 6A | 110 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Saltarello | Anonymous, Jessica Baran-Surel | D Minor | 5 | 7A | 130 BPM | ||
Mr. Beveridge's_Hole in the Wall | Shelley Phillips And Friends | B♭ Major | 2 | 6B | 80 BPM |
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