Johann Caspar Ferdinand Fischer, Luc Beauséjour's 'Musicalischer Parnassus: Clio, Suite No. 1: Praeludium harpeggiato' had a release date set for November 5, 1999. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 36 in Fischer: Musical Parnassus, Vol. 1 by Johann Caspar Ferdinand Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Musicalischer Parnassus: Clio, Suite No. 1: Praeludium harpeggiato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Musicalischer Parnassus: Clio, Suite No. 1: Praeludium harpeggiato by Johann Caspar Ferdinand Fischer, Luc Beauséjour is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premier livre de pièces de clavecin, Suite in A Minor, RCT 1: IX. Menuet | Jean-Philippe Rameau, Mahan Esfahani | A♭ Major | 4 | 4B | 62 BPM | ||
2 Serenades ou simphonies francoises en 3 parties, Op. 39: Passepied | Joseph Bodin de Boismortier, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 142 BPM | ||
Siehe zu, dass deine Gottesfurcht, BWV 179: No. 5, Liebster Gott, erbarme dich | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | F♯ Minor | 1 | 11A | 115 BPM | ||
Airs for the Winter: Golden Rod: II. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 127 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Ascanio in Alba, K. 111: Act I Scene 1: Andante grazioso, che ballano le Grazie | Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert | D♭ Major | 0 | 3B | 180 BPM | ||
In tribulationibus, in angustiis: No. 6, Aria, "O gratum montem" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |