Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek made "Serenade for Strings in E Major, Op. 22: II. Tempo di Valse" available on January 28, 2022. Since Serenade for Strings in E Major, Op. 22: II. Tempo di Valse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 9 in Dvořák: Cello Concerto, Silent Woods, Serenade by Antonín Dvořák, Petr Nouzovský, Czech Philharmonic Chamber Orchestra, Stanislav Vavřínek. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Serenade for Strings in E Major, Op. 22: II. Tempo di Valse is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Serenade for Strings in E Major, Op. 22: II. Tempo di Valse by Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Foulds : Keltic Suite Op.29 : II Lament | John Foulds, City Of Birmingham Symphony Orchestra, Sakari Oramo | D Major | 0 | 10B | 83 BPM | ||
アダージェット 〜交響曲第5番より | Václav Neumann, Czech Philharmonic Chamber Orchestra | F Major | 1 | 7B | 79 BPM | ||
Finlandia, Op. 26 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A♭ Major | 2 | 4B | 70 BPM | ||
Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM | ||
Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 58 BPM | ||
Nocturne (Moderato) from the Ballet La Boutique Fantasque | Ottorino Respighi, Andrew Davis | F Minor | 1 | 4A | 80 BPM | ||
The Planets, Op. 32: IV. Jupiter, The Bringer Of Jollity | Gustav Holst, Boston Symphony Orchestra, William Steinberg | G Minor | 3 | 6A | 134 BPM | ||
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
Nocturne in C Sharp Minor, KK IVa/16 | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 0 | 12A | 65 BPM |
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