Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Und siehe, einer aus denen (Evangelist, Jesus)" available on November 1, 2005. The duration of Matthäuspassion, BWV 244: Und siehe, einer aus denen (Evangelist, Jesus) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Matthäuspassion, BWV 244: Und siehe, einer aus denen (Evangelist, Jesus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 28 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Und siehe, einer aus denen (Evangelist, Jesus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Matthäuspassion, BWV 244: Und siehe, einer aus denen (Evangelist, Jesus) by Johann Sebastian Bach, Raimund Nolte, Nico Van Der Meel, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
I. Ich Hab In Gottes Herz Und Sinn BWV 92, Choral (Alto): Zudem Ist Weisheit Und Verstand | Pieter Jan Leusink, Johann Sebastian Bach, Sytse Buwalda, Knut Schoch, Ofer Frenkel, Holland Boys Choir; Netherlands Bach Collegium, D'amore, Bas Ramselaar, Peter Frankenberg, Ruth Holton, Frank Wakelkamp | A Major | 2 | 11B | 172 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881 | Johann Sebastian Bach, András Schiff | F Minor | 0 | 4A | 70 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM |
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