"Undine: Act I: Finale: Doch halt! Wo ist der Mann (Veit, Chorus, Hugo, Undine, Kuhleborn)" by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn was released on January 1, 2005. Undine: Act I: Finale: Doch halt! Wo ist der Mann (Veit, Chorus, Hugo, Undine, Kuhleborn) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 13 out of 37. On top of that, United States appears to be the country where this track was created. In terms of popularity, Undine: Act I: Finale: Doch halt! Wo ist der Mann (Veit, Chorus, Hugo, Undine, Kuhleborn) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act I: Finale: Doch halt! Wo ist der Mann (Veit, Chorus, Hugo, Undine, Kuhleborn) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: V. Affettuoso - Studio Recording | Francesco Geminiani, I Musici | B♭ Minor | 2 | 3A | 114 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, Vorspiel. Die Vorstellung des Chaos | Joseph Haydn, Les Arts Florissants, William Christie | C Minor | 0 | 5A | 131 BPM | ||
Bassoon Concerto in F, Op.75: 3. Rondo (Allegro) | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 128 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | E♭ Minor | 1 | 2A | 79 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Jig in G, Sonata VI II (Thomas Arne) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
世界名曲:天鵝湖 | 蔡榮吉, 李淑雲, 吳爾笠 | C Major | 2 | 8B | 160 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825 (Arr. for Small Orchestra by Thomas Oehler): VIII. Gigue | Johann Sebastian Bach, Trevor Pinnock, Royal Academy of Music Soloists Ensemble, The Glenn Gould School | B♭ Major | 2 | 6B | 94 BPM | ||
Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Minor | 5 | 7A | 168 BPM |
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