"Eventide: XI. Quodlibet" by Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson had its release date on June 14, 2024. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kenneth Fuchs, Sinfonia Of London, John Wilson, James Buckle, Timothy McAllister's "Kenneth Fuchs: Orchestral Works, Vol. 2" album is number 17 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Eventide: XI. Quodlibet is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eventide: XI. Quodlibet by Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tippett: Concerto for Double String Orchestra: II. Adagio cantabile | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 76 BPM | ||
Pavane, Op. 50 (Version for Orchestra) | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | F♯ Minor | 0 | 11A | 70 BPM | ||
Petits rêves d’enfant: No. 1, Andantino | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | F Major | 0 | 7B | 199 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
The Rite of Spring, K015, Pt. 1 "The Adoration of the Earth": I. Introduction - Live | Igor Stravinsky, London Symphony Orchestra, Pierre Monteux | D Minor | 3 | 7A | 77 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Symphony No. 9 in D Major: II. Ländler: No. 5, Tempo I. Wie zu Anfang | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
The Four Moons: VII. The Cherokee Variation. Yvonne Chouteau | Louis W. Ballard, Louis Wayne Ballard, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 170 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 4, A tempo. Molto adagio | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM |