- BPM
- 75
- Key
- G Major
- Camelot
- 9B
Missa pro defunctis: Introit - Duarte Lobo, The Cambridge Taverner Choir, Owen Rees Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 7%
- Instrumentalness
- 49%
- Liveness
- 14%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -24.958 dB
Summary
"Missa pro defunctis: Introit" by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees was released on June 1, 1993. With this song being about 5 minutes long, at 5:00, "Missa pro defunctis: Introit" by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Cambridge Taverner Choir, Owen Rees's "Music from Renaissance Portugal" album is number 2 out of 18. Missa pro defunctis: Introit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa pro defunctis: Introit BPM
We consider the tempo marking of Missa pro defunctis: Introit by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
Missa pro defunctis: Introit Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Salve, Rainha | São Paulo Schola Cantorum | D Minor | 3 | 7A | 127 BPM | |
 | Audivi vocem de caelo | Duarte Lobo, William Byrd Choir, Gavin Turner | B♭ Minor | 1 | 3A | 130 BPM | |
 | Vespers: No. 1, The Opening Psalm | Benedict Sheehan, Michael Hawes, Timothy Parsons, The Saint Tikhon Choir | A Minor | 3 | 8A | 77 BPM | |
 | Ave generosa, BN 17 | Hildegard von Bingen, Margaret Philpot, Gothic Voices, Christopher Page | B Major | 0 | 1B | 77 BPM | |
 | Missa Prolationum: Christe | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 112 BPM | |
 | Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | |
 | Svjatki: I. Glory! | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Major | 3 | 6B | 83 BPM | |
 | Laudes deo devotas | Anónimo, Egeria | A Minor | 0 | 8A | 77 BPM | |
 | Regina Caeli | Duarte Lobo, St. John Cantius Choir of Saint Cecilia, Rev. Scott A. Haynes, S.J.C. | A♭ Major | 3 | 4B | 111 BPM | |
 | Gaude, mater Polonia (Polish, 13th century) | Early Music New York | F Major | 1 | 7B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1825604438781738
End: 1.1897344589233398