Piae Cantiones, Choir of King's College, Cambridge, Stephen Cleobury made "Ratcliffe Woodward: Up! Good Christen folk and listen (from "Piae Cantiones", 1582): "Ding-dong, ding: Ding-a-dong-a-ding"" available on December 1, 2008. With Ratcliffe Woodward: Up! Good Christen folk and listen (from "Piae Cantiones", 1582): "Ding-dong, ding: Ding-a-dong-a-ding" being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 51 in Christmas At King's by Choir of King's College, Cambridge. Ratcliffe Woodward: Up! Good Christen folk and listen (from "Piae Cantiones", 1582): "Ding-dong, ding: Ding-a-dong-a-ding" is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ratcliffe Woodward: Up! Good Christen folk and listen (from "Piae Cantiones", 1582): "Ding-dong, ding: Ding-a-dong-a-ding" by Piae Cantiones, Choir of King's College, Cambridge, Stephen Cleobury is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in Excelsis Deo | George Frideric Handel, Bernhard Kratzer, Paul Theis | E Major | 3 | 12B | 106 BPM | ||
Heavenly Father (Ave Maria, Op. 52 No. 6, D. 839) | Franz Schubert, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | B♭ Major | 1 | 6B | 85 BPM | ||
O Oriens | Melissa Dunphy, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | D♭ Major | 0 | 3B | 76 BPM | ||
Magnificat: I. Magnificat anima mea (Version for Full Orchestra) | Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | B♭ Major | 4 | 6B | 110 BPM | ||
Stille Nacht / Silent Night | Vienna Boys' Choir | D Major | 1 | 10B | 68 BPM | ||
Gesù bambino | The Cathedral Singers | A Major | 3 | 11B | 167 BPM | ||
Silent Night | Franz Xaver Gruber, Joseph Mohr, Libera, Robert Prizeman | C Major | 1 | 8B | 110 BPM | ||
The Coventry Carol | Anonymous, The Choir of Royal Holloway | D Minor | 2 | 7A | 81 BPM | ||
A Maiden Most Gentle (Live) | Andrew Carter, Choir of King's College, Cambridge, Donal McCann, Daniel Hyde | G Major | 1 | 9B | 104 BPM | ||
Still, still, still | Libera, Robert Prizeman | E♭ Major | 2 | 5B | 77 BPM |
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