Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride's '21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 12 in D Minor' came out on July 1, 2016. The duration of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 12 in D Minor is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 12 in D Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 24 in Brahms: Violin Concerto in D Major & 21 Hungarian Dances by Johannes Brahms, Joseph Joachim, Baiba Skride, Sakari Oramo, Lauma Skride. Based on our statistics, 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 12 in D Minor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 12 in D Minor by Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in G Minor, Op. 57: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 3 | 5A | 130 BPM | ||
Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation IIIa. Andante sostenuto | Pyotr Ilyich Tchaikovsky, Jan Vogler, Andrés Orozco-Estrada | C Major | 1 | 8B | 105 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": I. Lento maestoso - Allegro quasi doppio movimento | Antonín Dvořák, Alexander Melnikov, Jean-Guihen Queyras, Isabelle Faust | E Major | 1 | 12B | 92 BPM | ||
Romantic Pieces, Op.75, Allegro appassionato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 2 | 6B | 138 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Nocturne in D-Flat Major, Op. 8 | Sergei Lyapunov, Elena Gaponenko | D♭ Major | 1 | 3B | 58 BPM | ||
Trio élégiaque No. 2 in D Minor, Op. 9: III. Allegro risoluto | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov, Giedre Dirvanauskaite | G Minor | 1 | 6A | 73 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM |
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