William Brade, The Prague Brass Soloists's 'Suite: I. Allmand No. 16' came out on January 1, 1990. With Suite: I. Allmand No. 16 being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Purcell, Simpson, Adson, Holborne, Brade, Clarke: Old English Brass Music". In this album, this song's track order is #25. Suite: I. Allmand No. 16 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite: I. Allmand No. 16 by William Brade, The Prague Brass Soloists having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite: III. Respons No. 35 | William Brade, The Prague Brass Soloists | B♭ Major | 1 | 6B | 92 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | ||
The English Dancing Master: Parson's Farewell | John Playford, Dorothee Oberlinger | C Major | 1 | 8B | 112 BPM | ||
No.4 Paduana | William Brade, Leo Maiwald | C Major | 5 | 8B | 177 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM | ||
Pastime with Good Company | Henry VIII, Frottola | B♭ Major | 0 | 6B | 128 BPM | ||
Toccata & Fugue in D minor, BWV565 | Johann Sebastian Bach, Edin Karamazov | E Minor | 2 | 9A | 91 BPM | ||
Suite for 2 Lutes in Bb (Baron) - Courante | Edward Martin and Paul Berget | A Major | 1 | 11B | 117 BPM |
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