Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset made "Zaïde, reine de Grenade, Acte III Scène 5: Premier et deuxième menuets" available on May 5, 2023. With Zaïde, reine de Grenade, Acte III Scène 5: Premier et deuxième menuets being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #28. Furthermore, we believe that the track originated from France. The popularity of Zaïde, reine de Grenade, Acte III Scène 5: Premier et deuxième menuets is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Zaïde, reine de Grenade, Acte III Scène 5: Premier et deuxième menuets by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegretto in D Major, IAS. 34 | Antonio Salieri, Orchestre de Saint-Christol | B Minor | 3 | 10A | 145 BPM | ||
Rameau: Premier livre de pièces de Clavecin, (1706), Suite in A Minor, RCT 1: No. 1 Prélude | Jean-Philippe Rameau, Jean Rondeau | G Minor | 3 | 6A | 80 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM | ||
Ouverture in C Major: I. Allegro con spirito | Marianna Martines, La Floridiana | A♭ Minor | 1 | 1A | 73 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 141 | Domenico Scarlatti, Jean Rondeau | D♭ Minor | 5 | 12A | 141 BPM | ||
Le Pouvoir de l'Amour, Troisième entrée Scène 4: Air | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Pièces de Clavecin, Premier Livre 1746: 4. Premier et Deuxième Tambourins | Joseph-Nicolas-Pancrace Royer, Christophe Rousset | D♭ Major | 3 | 3B | 132 BPM |
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