Johannes Brahms, Katia Labèque, Marielle Labèque's '21 Hungarian Dances, WoO 1: No. 12 in D Minor: Presto (Arr. for Piano Duet)' came out on August 1, 1981. The duration of 21 Hungarian Dances, WoO 1: No. 12 in D Minor: Presto (Arr. for Piano Duet) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: No. 12 in D Minor: Presto (Arr. for Piano Duet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in Brahms: 21 Hungarian Dances by Johannes Brahms, Katia Labèque, Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 21 Hungarian Dances, WoO 1: No. 12 in D Minor: Presto (Arr. for Piano Duet) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 21 Hungarian Dances, WoO 1: No. 12 in D Minor: Presto (Arr. for Piano Duet) by Johannes Brahms, Katia Labèque, Marielle Labèque is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | A Minor | 1 | 8A | 126 BPM | ||
The Nutcracker, Op. 71, TH 14 / Act 2: 12a. Character Dances: Chocolate (Spanish Dance) (Arr. Piano) | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E♭ Major | 2 | 5B | 110 BPM | ||
Lieder ohne Worte, Op.62: No. 4 Allegro con anima in G, MWV U 175 - "Morning Song" | Felix Mendelssohn, Daniel Barenboim | G Major | 1 | 9B | 49 BPM | ||
4 Ogives: Ogive No. 4 | Erik Satie, Nicolas Horvath | A Minor | 0 | 8A | 76 BPM | ||
Sonata in G Major, L 349 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Piano Sonata in C, H.XVI No.50: 3. Allegro molto | Joseph Haydn, Alfred Brendel | D Major | 0 | 10B | 136 BPM | ||
Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 62 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B Minor | 1 | 10A | 106 BPM | ||
24 Preludes, Op. 34: No. 21 in B-Flat Major. Allegretto poco moderato | Dmitri Shostakovich, Tatiana Nikolayeva | G Major | 1 | 9B | 63 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM |
Section: 0.6499307155609131
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