Bill Emerson made "Old Salty Dog Blues" available on March 15, 1994. The duration of Old Salty Dog Blues is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Old Salty Dog Blues's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Reunion". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Old Salty Dog Blues's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Old Salty Dog Blues by Bill Emerson having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosco's Ramble | John Reischman, Greg Spatz, Jim Nunally, Mike Witcher, Patrick Sauber, Sharon Gilchrist | G Major | 5 | 9B | 140 BPM | ||
Bill Cheatham | Bill Emerson | A Major | 4 | 11B | 135 BPM | ||
Black Jack | J.D. Crowe | E Minor | 5 | 9A | 125 BPM | ||
Studebaker | Kenny Smith | D Major | 3 | 10B | 87 BPM | ||
What Will Become of Me | Special Consensus | B♭ Major | 8 | 6B | 132 BPM | ||
Sugarfoot Rag | Bill Keith | D Major | 6 | 10B | 138 BPM | ||
Stumptowne | Alan Bibey | A Major | 5 | 11B | 123 BPM | ||
Clinch Mountain Backstep | Clay Jones | D Major | 6 | 10B | 121 BPM | ||
Tonight I'll See You in My Dreams | Appalachian Road Show | D Major | 8 | 10B | 122 BPM | ||
Hooked On Bluegrass | Junior Sisk | F♯ Major | 7 | 2B | 125 BPM |
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