Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields's 'Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 3, Aria. "Höchster, mache deine Güte"' came out on November 11, 2023. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 44 out of 68 in Academy of St Martin in the Fields - Bach by Johann Sebastian Bach, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 3, Aria. "Höchster, mache deine Güte" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 3, Aria. "Höchster, mache deine Güte" by Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM |
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