- BPM
- 107
- Key
- F Major
- Camelot
- 7B
Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar" - Richard Johnson Information
- Acousticness
- 84%
- Danceability
- 70%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 44%
- Loudness
- 66%
- Speechiness
- 93%
- Valence
- 55%
- Popularity
- 0%
- Loudness
- -20.232 dB
Summary
Richard Johnson made "Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar"" available on April 15, 2016. The duration of Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Shakespeare In Music & Words". In this album, this song's track order is #29. In terms of popularity, Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar" is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar" BPM
With Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar" by Richard Johnson having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Antony Addresses The Crowd After Caesar's Assassination - From "Julius Caesar" Key
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | |
 | Image | Albert Irving and Ving, Richard Johnson | B Minor | 3 | 10A | 78 BPM | |
 | When We Two Parted | Eve Karpf | G Major | 1 | 9B | 75 BPM | |
 | Teil 12 - Moby Dick | Herman Melville, Eberhard Krug, Peter Schiff, Rolf Marnitz | F Minor | 4 | 4A | 78 BPM | |
 | The Rose.2 & The King's Royal March.1 - The Little Prince | Antoine de Saint-Exupéry | D Major | 2 | 10B | 107 BPM | |
 | Interview 2 | Paul Moravec, Oratorio Society of New York, Kent Tritle | C Major | 2 | 8B | 71 BPM | |
 | Summer Night (Alfred, Lord Tennyson) | Michael Sheen | F Major | 0 | 7B | 120 BPM | |
 | Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | |
 | Dispersed And Transcendental Chants, Op. 18: Chant 7. Mother | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | |
| Perfect Woman (William Wordsworth) | Michael Sheen | D♭ Major | 0 | 3B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.567894458770752
End: 0.571648359298706