Johann Sebastian Bach, Avi Avital, Kammerakademie Potsdam, Shalev Ad-El's 'Violin Concerto No. 1 in A minor, BWV 1041: II. Andante (Transcr. for Mandolin and Orchestra by Avi Avital)' came out on January 1, 2012. With this song being about 5 minutes long, at 5:29, "Violin Concerto No. 1 in A minor, BWV 1041: II. Andante (Transcr. for Mandolin and Orchestra by Avi Avital)" by Johann Sebastian Bach, Avi Avital, Kammerakademie Potsdam, Shalev Ad-El is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 13 in Bach by Johann Sebastian Bach, Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Violin Concerto No. 1 in A minor, BWV 1041: II. Andante (Transcr. for Mandolin and Orchestra by Avi Avital) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 1 in A minor, BWV 1041: II. Andante (Transcr. for Mandolin and Orchestra by Avi Avital) by Johann Sebastian Bach, Avi Avital, Kammerakademie Potsdam, Shalev Ad-El is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. [Adagio] | Johann Sebastian Bach, Trevor Pinnock, Kati Debretzeni | A♭ Major | 0 | 4B | 94 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 128 BPM | ||
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | E♭ Minor | 2 | 2A | 129 BPM | ||
Cello Concerto in D Minor, RV 407: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | D Minor | 1 | 7A | 116 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM |
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