"Finlandia - Symphonic Poem Op. 26" by Sir John Barbirolli, Hallé was released on February 1, 2011. Since Finlandia - Symphonic Poem Op. 26 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Drivetime Classics, so we believe that "Finlandia - Symphonic Poem Op. 26" is a single. Finlandia - Symphonic Poem Op. 26 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Finlandia - Symphonic Poem Op. 26 by Sir John Barbirolli, Hallé is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 102 BPM | ||
Delius: Brigg Fair "An English Rhapsody": Variation XII. Maestoso | Frederick Delius, Sir John Barbirolli, Hallé | C Major | 1 | 8B | 86 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | B♭ Minor | 2 | 3A | 149 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
Serenade in C Major, Op. 48: II. Waltz (Moderato) | Pyotr Ilyich Tchaikovsky, London Symphony Orchestra, Sir John Barbirolli | A Minor | 2 | 8A | 175 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Richard Lewis, Kim Borg, Eric Chadwick, John McCarthy, Martin Milner, Sir John Barbirolli, Dame Janet Baker, Hallé | D Minor | 0 | 7A | 53 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM |
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