Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra made "Variations on a Hungarian Folksong "The Peacock": VIII. Più vivo" available on October 1, 1990. With Variations on a Hungarian Folksong "The Peacock": VIII. Più vivo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 16 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Variations on a Hungarian Folksong "The Peacock": VIII. Più vivo is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Variations on a Hungarian Folksong "The Peacock": VIII. Più vivo by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Román népi táncok (Romanian Folk Dances), BB 76: No. 1. Jocul cu bata: Molto moderato | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | A Minor | 0 | 8A | 93 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Hary Janos: Adventure 4: A Csaszari Udvar Bevonulasa (Entry of the Emperor and his Attendants) | Zoltán Kodály, Sandor Sòlyom-Nagy, Klára Takács, Maria Sudlik, Balazs Poka, Katalin Meszoly, József Gregor, Sándor Palcsó, Hungarian State Opera Chorus, Hungarian Radio and Television Children's Chorus, Hungarian State Opera Orchestra, Janos Ferencsik | A♭ Major | 5 | 4B | 129 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 2. — | Lajos Lencsés, Zoltán Kodály, Budapest Strings | C Major | 1 | 8B | 67 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM | ||
Bartók / Arr. Székely: 3 Hungarian Folksongs from Csík, Sz. 35a: No. 1, The Peacock. Rubato | Béla Bartók, Kalman Berkes, Dezsö Ranki | D Minor | 1 | 7A | 95 BPM |
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