"Liturgy of the Holy Week, Op. 58: Svyetye tikhii (Hail, gladdening Light)" by Alexander Gretchaninov, Choir of Clare College, Cambridge, Timothy Brown was released on August 1, 2004. The duration of Liturgy of the Holy Week, Op. 58: Svyetye tikhii (Hail, gladdening Light) is about 3 minutes long, at 3:10. Based on our data, "Liturgy of the Holy Week, Op. 58: Svyetye tikhii (Hail, gladdening Light)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Choir of Clare College, Cambridge, Timothy Brown's "Light of the Spirit" album is number 15 out of 36. Liturgy of the Holy Week, Op. 58: Svyetye tikhii (Hail, gladdening Light) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liturgy of the Holy Week, Op. 58: Svyetye tikhii (Hail, gladdening Light) by Alexander Gretchaninov, Choir of Clare College, Cambridge, Timothy Brown to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Our Father | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | E Major | 0 | 12B | 77 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Requiem, Op. 9 (1961 version): Pie Jesu | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | A♭ Major | 0 | 4B | 176 BPM | ||
O Thou Joy of All the Sorrowful (Arr. For Tenor and Bass Choir) | Bulgarian Chant, PaTRAM Institute Male Choir, Vladimir Gorbik | B Minor | 1 | 10A | 137 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Liturgy of St. John Chrysostom: No. 5, Antiphon III (The Beatitudes) | Benedict Sheehan, The Saint Tikhon Choir | D♭ Major | 2 | 3B | 129 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM | ||
Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM |
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