Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus) - George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Sarah Walker, Della Jones Information

"Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus)" by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Sarah Walker, Della Jones was released on April 1, 1999. Since Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Valerie Masterson, James Bowman, Della Jones, Sarah Walker, John Tomlinson's "Handel: Julius Caesar" album is number 23 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus) BPM

We consider the tempo marking of Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Sarah Walker, Della Jones to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Julius Caesar, HWV 17, Act I Scene 4: Condemn'd to grieve and cry, my love (Cornelia, Sextus) Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.