"Dichterliebe, Op.48: 15. Aus alten Märchen winkt es" by Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach was released on January 1, 1985. The duration of Dichterliebe, Op.48: 15. Aus alten Märchen winkt es is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Dichterliebe, Op.48: 15. Aus alten Märchen winkt es's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "Schumann: Dichterliebe; Liederkreis op.39; Selection from "Myrten"". In this album, this song's track order is #15. Based on our statistics, Dichterliebe, Op.48: 15. Aus alten Märchen winkt es's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dichterliebe, Op.48: 15. Aus alten Märchen winkt es by Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, J. 277 / Act 3: Entr'acte | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | D Major | 3 | 10B | 116 BPM | ||
Une Plaisanterie | Modest Mussorgsky, Elena Kuschnerova | E♭ Major | 1 | 5B | 123 BPM | ||
Messa di Requiem, Offertorio: Domine Jesu Christe - | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | A♭ Major | 1 | 4B | 79 BPM | ||
Dichterliebe, Op.48: 13. Ich hab' im Traum geweinet | Robert Schumann, Fritz Wunderlich, Hubert Giesen | E♭ Minor | 0 | 2A | 136 BPM | ||
Schumann: Belsatzar, Op. 57 | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | C Minor | 1 | 5A | 83 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
Carmina Burana / Uf dem Anger: Reie - "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 0 | 7B | 135 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante | Robert Schumann, Peter Donohoe, Sacconi Quartet | B♭ Major | 2 | 6B | 120 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Behold, God the Lord passed by!" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 1 | 8B | 100 BPM |
Section: 0.681943416595459
End: 0.6864769458770752