"Shostakovich: String Quartet No. 2 in A Major, Op. 68: IV. Theme & Variations. Adagio" by Dmitri Shostakovich, Borodin Quartet was released on January 1, 1993. Shostakovich: String Quartet No. 2 in A Major, Op. 68: IV. Theme & Variations. Adagio appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Shostakovich: String Quartets Nos. 2, 3, 7, 8 & 12". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Shostakovich: String Quartet No. 2 in A Major, Op. 68: IV. Theme & Variations. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: String Quartet No. 2 in A Major, Op. 68: IV. Theme & Variations. Adagio by Dmitri Shostakovich, Borodin Quartet having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Fantaisie-Impromptu in C-Sharp Minor, Op. 66 | Frédéric Chopin, Daniil Trifonov | D♭ Major | 1 | 3B | 70 BPM | ||
Zigeunerweisen, Op. 20: III. Un poco piú lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 100 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |
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