Ohio Light Opera's 'Ruddigore: Scene: "Happily coupled are we"' came out on December 1, 2009. With Ruddigore: Scene: "Happily coupled are we" being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Ruddigore". In this album, this song's track order is #3. In terms of popularity, Ruddigore: Scene: "Happily coupled are we" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ruddigore: Scene: "Happily coupled are we" by Ohio Light Opera having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass A Theatre Piece for Singers, Players and Dancers I: VI. Gloria: 1. Gloria tibi | Leonard Bernstein | C Major | 2 | 8B | 132 BPM | ||
H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore | Gilbert & Sullivan Society of Houston | B Major | 3 | 1B | 138 BPM | ||
Idoménée, Acte IV Scène 1: "Espoir des maleureux" (Ilione) | André Campra, Monique Zanetti, Les Arts Florissants, William Christie | A Major | 1 | 11B | 109 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
Haugtussa, Op. 67: VIII. Ved gjaetle-bekken | Charlotte Hoather, George Todica | B Minor | 2 | 10A | 132 BPM | ||
Peter and the Wolf, Op. 67: VI. The Wolf | Wiener Opernorchester | E♭ Major | 0 | 5B | 125 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 2, Im Anfange schuf Gott Himmel und Erde | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Tareq Nazmi, MDR Leipzig Radio Choir, Benjamin Bruns | B♭ Major | 3 | 6B | 117 BPM | ||
Der Stein der Weisen, Act I: Aria. Alle Wetter! O ihr Götter! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM |
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