"Preludes, Op. 23: No. 3 in D Minor - Welte-Mignon 3033" by Sergei Rachmaninoff, Josef Hofmann, Peter Phillips was released on January 16, 2024. The duration of Preludes, Op. 23: No. 3 in D Minor - Welte-Mignon 3033 is about 3 minutes long, at 3:06. Based on our data, "Preludes, Op. 23: No. 3 in D Minor - Welte-Mignon 3033" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Phillips, Claude Debussy, Johann Strauss II, Edvard Grieg, Gioachino Rossini, Frederick Delius, Felix Mendelssohn, Johannes Brahms, Robert Schumann, Niccolò Paganini, Georges Bizet, Léo Delibes, Johann Kuhnau, Sergei Liapounov, Alexander Scriabin, Paul Lincke, Antonín Dvořák, Franz Schubert, Christoph Willibald Gluck, Giacomo Puccini, Giuseppe Verdi, Sergei Prokofiev, Nikolai Rimsky-Korsakov, Camille Saint-Saëns, Franz Liszt, Fritz Kreisler, Richard Wagner, Jules Massenet, Frédéric Chopin, Maurice Ravel, Sergei Rachmaninoff, George Frideric Handel, Louis Moreau Gottschalk, Pyotr Ilyich Tchaikovsky, Jacques Offenbach, Johann Sebastian Bach's "Le Rouet. Piano Essentials from the Golden Age" album is number 10 out of 37. On top of that, Germany appears to be the country where this track was created. Preludes, Op. 23: No. 3 in D Minor - Welte-Mignon 3033 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Preludes, Op. 23: No. 3 in D Minor - Welte-Mignon 3033 by Sergei Rachmaninoff, Josef Hofmann, Peter Phillips to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in G major, Op. 32, No. 5 | Sergei Rachmaninoff, Valentin Magyar | G Major | 0 | 9B | 173 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
6 Romances, Op. 38: V. The Dream - Musical Moments | Sergei Rachmaninoff, Anna El-Khashem, Holger Groschopp | D Major | 5 | 10B | 140 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM |
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