Enrique Ugarte, Darius Milhaud, Koryun Asatryan made "Scaramouche, Op. 165b: III. Braziliera (arr. E. Ugarte for saxophone and accordion)" available on January 1, 2014. The duration of Scaramouche, Op. 165b: III. Braziliera (arr. E. Ugarte for saxophone and accordion) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Scaramouche, Op. 165b: III. Braziliera (arr. E. Ugarte for saxophone and accordion)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 13 in Fortezza by Koryun Asatryan, Enrique Ugarte. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Scaramouche, Op. 165b: III. Braziliera (arr. E. Ugarte for saxophone and accordion) is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Scaramouche, Op. 165b: III. Braziliera (arr. E. Ugarte for saxophone and accordion) by Enrique Ugarte, Darius Milhaud, Koryun Asatryan is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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