Nicola Matteis, Gli Incogniti, Amandine Beyer's 'Vivace: Eco' came out on August 1, 2009. The duration of Vivace: Eco is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Vivace: Eco's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicola Matteis, Gli Incogniti, Amandine Beyer's "Matteis: False Consonances of Melancholy" album is number 29 out of 40. On top of that, France appears to be the country where this track was created. Based on our statistics, Vivace: Eco's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vivace: Eco by Nicola Matteis, Gli Incogniti, Amandine Beyer to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Concerto VI in B Minor: I. Largo | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
In hoc mundo: I. Sonata | Domenico Zipoli, Florilegium | D♭ Major | 2 | 3B | 104 BPM | ||
Airs for the Winter: Golden Rod: I. Pastorale: Andante | James Oswald, The Broadside Band | A Major | 2 | 11B | 116 BPM | ||
Violin Sonata in G Minor: III. Adagio | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 0 | 11A | 88 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
Cello Sonata in F Major, Op. 14 No. 2, RV 41: I. Largo | Antonio Vivaldi, Antonio Mostacci, Bologna Baroque | F Major | 1 | 7B | 135 BPM |
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