"Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso" by Robert Schumann, Pascal Devoyon/London Philharmonic Orchestra/David Nolan/Jerzy Maksymiuk, London Philharmonic Orchestra was released on September 1, 2008. Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso appears to be safe for all ages as it is not explicit. The track order of this song in Pascal Devoyon/Jerzy Maksymiuk, Jerzy Maksymiuk's "Grieg & Schumann: Piano Concertos" album is number 1 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Schumann: Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso by Robert Schumann, Pascal Devoyon/London Philharmonic Orchestra/David Nolan/Jerzy Maksymiuk, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 1, Seit ich ihn gesehen | Robert Schumann, Claudia Barainsky, Delian Quartett | B♭ Major | 0 | 6B | 80 BPM |
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