"Gypsy Songs, Op. 55, B. 104: IV. Songs my mother taught me (Arr. for Cello and Piano by Jan Vogler)" by Antonín Dvořák, Jan Vogler, Juho Pohjonen was released on July 29, 2022. The duration of Gypsy Songs, Op. 55, B. 104: IV. Songs my mother taught me (Arr. for Cello and Piano by Jan Vogler) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Gypsy Songs, Op. 55, B. 104: IV. Songs my mother taught me (Arr. for Cello and Piano by Jan Vogler)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Dvorak Album". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Gypsy Songs, Op. 55, B. 104: IV. Songs my mother taught me (Arr. for Cello and Piano by Jan Vogler) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gypsy Songs, Op. 55, B. 104: IV. Songs my mother taught me (Arr. for Cello and Piano by Jan Vogler) by Antonín Dvořák, Jan Vogler, Juho Pohjonen having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM | ||
3 Romances sans paroles, Op. 17, No. 3 | Gabriel Fauré, Thérèse Ryan, Francine Chabot | A Major | 0 | 11B | 85 BPM | ||
Poem I | Gillian Pereira, Sally Greenaway | G Major | 2 | 9B | 79 BPM | ||
6 Songs, Op. 4 (Transcr. D. Müller-Schott for Cello & Piano): No. 1, Den forældreløse. Andante moderato e doloroso | Edvard Grieg, Daniel Müller-Schott, Herbert Schuch | C Minor | 0 | 5A | 75 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): II. Otoño Poteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
French Quadrilogy: No. 4, Toccata | Aivars Kalējs, Trio NYX | B♭ Major | 1 | 6B | 78 BPM | ||
Songs of Travel: No. 2, Let Beauty Awake (Transcr. E. Nisbeth for Viola & Piano) | Ralph Vaughan Williams, Ellen Nisbeth, Bengt Forsberg | F♯ Minor | 0 | 11A | 127 BPM |
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