Tabea Zimmermann, Robert Schumann, Hartmut Höll's 'Fantasiestucke, Op. 73 (arr. T. Zimmermann and H. Holl): No. 3. Rasch und mit Feuer' came out on January 1, 2004. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Schumann, R.: Adagio and Allegro / Fantasiestucke / 3 Romanzen / Violin Sonata No. 1 / Marchenbilder". In this album, this song's track order is #4. Fantasiestucke, Op. 73 (arr. T. Zimmermann and H. Holl): No. 3. Rasch und mit Feuer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasiestucke, Op. 73 (arr. T. Zimmermann and H. Holl): No. 3. Rasch und mit Feuer by Tabea Zimmermann, Robert Schumann, Hartmut Höll having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Märchenbilder, Op. 113: II. Lebhaft | Robert Schumann, Tabea Zimmermann | A Minor | 0 | 8A | 63 BPM | ||
Schilflieder - Fünf Fantasiestücke nach Gedlichten von Nikolaus Lenau: 5. Sehr ruhig | August Klughardt, Albrecht Mayer, Tabea Zimmermann, Markus Becker | E Major | 1 | 12B | 80 BPM | ||
Violin Sonata in A Major, FWV 8 (Arr. Zimmermann for Viola and Piano): II. Allegro | César Franck, Tabea Zimmermann, Kirill Gerstein | D♭ Major | 3 | 3B | 118 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Suite for Solo Viola in G Minor, Op. 131d No. 1: IV. Molto vivace | Max Reger, Tabea Zimmermann | E Minor | 2 | 9A | 113 BPM | ||
Schilflieder - Fünf Fantasiestücke nach Gedlichten von Nikolaus Lenau: 2. Leidenschaftlich erregt | August Klughardt, Albrecht Mayer, Tabea Zimmermann, Markus Becker | A Minor | 2 | 8A | 122 BPM | ||
Tres estrofas de amor - for alto and piano | Pablo Casals, Tabea Zimmermann, Javier Perianes | B Major | 1 | 1B | 75 BPM | ||
3 Romanzen, Op. 94 (arr. T. Zimmermann and H. Holl): No. 1. Nicht schnell | Tabea Zimmermann, Robert Schumann, Hartmut Höll | A Minor | 1 | 8A | 80 BPM | ||
Don Quixote, Op. 35: Variation V. Sehr langsam (The knight's vigil) | Richard Strauss, François-Xavier Roth, Gürzenich Orchester Köln, Jean-Guihen Queyras, Tabea Zimmermann | D Major | 0 | 10B | 177 BPM | ||
Violin Sonata No. 1 in A Minor, Op. 105 (arr. T. Zimmermann and H. Holl): II. Allegretto | Tabea Zimmermann, Robert Schumann, Hartmut Höll | F Major | 0 | 7B | 111 BPM |
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