Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker's 'Messa di Requiem: Sanctus' came out on November 6, 2001. The duration of Messa di Requiem: Sanctus is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Messa di Requiem: Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Roberto Alagna, Angela Gheorghiu, Berliner Philharmoniker, Claudio Abbado. The song's track number on the album is #3 out of 21 tracks. In terms of popularity, Messa di Requiem: Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa di Requiem: Sanctus by Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Messa di Requiem: Sanctus being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Tosca / Act I: "Ah, quegli occhi..." - "Qual occhio al mondo può star di paro" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 136 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Symphony No. 8, Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin | E♭ Major | 2 | 5B | 133 BPM | ||
Meeresstille und glückliche Fahrt, Op.112: Meeresstille: Poco sostenuto | Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Walter Hagen-Groll | D Major | 0 | 10B | 66 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 12. Rezitativ: Im vollen Glanze steiget jetzt | Franz Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine | D Major | 0 | 10B | 90 BPM | ||
La traviata / Act 3: Ah, Violetta!...Se una pudica vergine | Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, Luciano Pavarotti, Marjon Lambriks, Giorgio Tadeo, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 2 | 12A | 79 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Dona nobis pacem | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 130 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM |
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