"ラフマニノフ:ピアノ協奏曲第2番 ハ短調 作品18 第3楽章" by 阿字野壮介 (Piano: 反田恭平), Andrea Battistoni, RAI National Symphony Orchestra was released on August 28, 2019. With ラフマニノフ:ピアノ協奏曲第2番 ハ短調 作品18 第3楽章 being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "TVアニメ「ピアノの森」 FAVORITE COLLECTION AND MORE". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. In terms of popularity, ラフマニノフ:ピアノ協奏曲第2番 ハ短調 作品18 第3楽章 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ラフマニノフ:ピアノ協奏曲第2番 ハ短調 作品18 第3楽章 by 阿字野壮介 (Piano: 反田恭平), Andrea Battistoni, RAI National Symphony Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
バレエ音楽《春の祭典》第1部: 大地礼賛 2. 春の兆しと乙女たちの踊り | Igor Stravinsky, Andrea Battistoni, Tokyo Philharmonic Orchestra | G Major | 7 | 9B | 84 BPM | ||
サマータイム | ジョージ・ガーシュウィン, Fujiko Hemming, アレクサンドレ・ダ・コスタ | F Major | 3 | 7B | 147 BPM | ||
L'Arlésienne Suite No. 2: No. 4, Farandole (Arr. for Solo Violin & String Orchestra by Asahi Matsuoka) - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Georges Bizet, 石田泰尚, 石田組 | D Major | 5 | 10B | 108 BPM | ||
G線上のアリア(J.S.バッハ/ヴィルヘルミ編) | 千葉純子, 浦壁信二 | C Major | 1 | 8B | 79 BPM | ||
マーラー:交響曲第5番嬰ハ短調 より 第4楽章 | のだめカンタービレ | F Major | 1 | 7B | 139 BPM | ||
TVアニメ「ピアノの森」 Piano Selection VII リスト: 「ラ・カンパネラ」〜パガニーニ大練習曲集 第3曲 | Kai Ichinose | A♭ Minor | 3 | 1A | 104 BPM | ||
ドヴォルザーク:交響曲第9番《新世界より》 第3楽章 | Antonín Dvořák, Yutaka Sado, ベルリン・ドイツ交響楽団 | A Minor | 1 | 8A | 89 BPM | ||
アヴェ・マリア(J.S.バッハ) | Johann Sebastian Bach, Shinya Kiyozuka | C Major | 0 | 8B | 72 BPM | ||
春の声(J.シュトラウスII) | Johann Strauss II, Erich Binder, ウィーン交響楽団 | E♭ Major | 1 | 5B | 179 BPM | ||
Peer Gynt Suite No.1, Op.46: ペール・ギュントの朝 | Edvard Grieg, ウィリアム・ジョーンズ, コンセル・ソンドール | E Major | 1 | 12B | 182 BPM |
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