- BPM
- 66
- Key
- E Minor
- Camelot
- 9A
Eugene Onegin: Lensky's Aria - Pyotr Ilyich Tchaikovsky, Luka Faulisi Information
- Acousticness
- 97%
- Danceability
- 15%
- Energy
- 17%
- Instrumentalness
- 38%
- Liveness
- 7%
- Loudness
- 74%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 4%
- Loudness
- -15.462 dB
Summary
"Eugene Onegin: Lensky's Aria" by Pyotr Ilyich Tchaikovsky, Luka Faulisi was released on March 3, 2023. Eugene Onegin: Lensky's Aria is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 5 out of 20 in Aria by Luka Faulisi. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Eugene Onegin: Lensky's Aria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Eugene Onegin: Lensky's Aria BPM
The tempo marking of Eugene Onegin: Lensky's Aria by Pyotr Ilyich Tchaikovsky, Luka Faulisi is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Eugene Onegin: Lensky's Aria Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | |
 | Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | |
 | Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM |
- ISRC
- USQX92204044
- Label
- L-M Records/RCA Records
Section: 0.7451052665710449
End: 0.7522537708282471