"Tannhäuser, WWV 70, Act I: Venusberg Music (Excerpt)" by Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz was released on May 10, 2024. With Tannhäuser, WWV 70, Act I: Venusberg Music (Excerpt) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Nicholas Boulton's "Great Composers in Words & Music: Richard Wagner" album is number 24 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Tannhäuser, WWV 70, Act I: Venusberg Music (Excerpt) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tannhäuser, WWV 70, Act I: Venusberg Music (Excerpt) by Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal / Act II: Ich sah das Kind an seiner Mutter Brust - Live | Richard Wagner, Elina Garanca, Bayreuth Festival Orchestra, Pablo Heras-Casado | D Major | 1 | 10B | 76 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Tannhauser, Introduction to Act III: Tannhauser's Pilgrimage | Richard Wagner, Slovak Philharmonic, Michael Halasz | E♭ Major | 0 | 5B | 131 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Sinfonia | Gioachino Rossini, Prague Sinfonia, Christian Benda | C Major | 2 | 8B | 148 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
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