Dmitri Shostakovich, Vladimir Ashkenazy's 'Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.7 in A major: Fugue' came out on January 1, 1999. The duration of Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.7 in A major: Fugue is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.7 in A major: Fugue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Shostakovich: 24 Preludes & Fugues, Op.87". In this album, this song's track order is #14. In terms of popularity, Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.7 in A major: Fugue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.7 in A major: Fugue by Dmitri Shostakovich, Vladimir Ashkenazy having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite bergamasque, L.75: 4. Passepied | Claude Debussy, Pascal Rogé | D♭ Minor | 0 | 12A | 101 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: IV. Adagio | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): I. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 96 BPM | ||
24 Preludes & Fugues, Op. 87: Prelude no.13 in F sharp minor. Moderato con moto | Dmitri Shostakovich, Alexander Melnikov | F♯ Major | 0 | 2B | 72 BPM | ||
Souvenir de Florence, Op. 70, TH 118: II. Adagio cantabile e con moto | Pyotr Ilyich Tchaikovsky, Emerson String Quartet, Paul Neubauer, Colin Carr | D Major | 2 | 10B | 181 BPM | ||
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Minor | 0 | 7A | 135 BPM | ||
Lyric Pieces Book VI, Op.57: 6. Heimweh | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 140 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): V. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 86 BPM | ||
Sonatine, M. 40: 2. Mouvement de menuet | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 123 BPM | ||
String Quintet No. 3, Op. 97: III. Larghetto | Antonín Dvořák, Jerusalem Quartet, Veronika Hagen | A♭ Minor | 1 | 1A | 114 BPM |
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