Wiener Symphoniker made "Anotherone Bites The Dust - Radio Version" available on October 31, 2008. The duration of Anotherone Bites The Dust - Radio Version is about 3 minutes long, at 3:01. Based on our data, "Anotherone Bites The Dust - Radio Version" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vienna Symphonic Orchestra Project Vol. 6 by Wiener Symphoniker. The song's track number on the album is #2 out of 11 tracks. In terms of popularity, Anotherone Bites The Dust - Radio Version is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Anotherone Bites The Dust - Radio Version by Wiener Symphoniker has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Anotherone Bites The Dust - Radio Version being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Waltz in E Minor | Alexander Griboyedov, Vladimir Leyetchkiss | G Major | 0 | 9B | 130 BPM | ||
Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Als dir die Welt voll Rosen hing (Stanislaus - Weps) | Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Chor der Wiener Staatsoper in der Volksoper, Wiener Symphoniker, Renate Holm, Jürgen Förster, Karl Dönch, Wolfgang Anheisser, Willi Boskovsky | E Major | 2 | 12B | 89 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Pavane, Op. 50 (Arr. for Violin, Cello and Piano by Ehsan Mohagheghi Fard) | Gabriel Fauré, Eldbjørg Hemsing, Raphaela Gromes, Håvard Gimse | D Major | 2 | 10B | 81 BPM | ||
5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | ||
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
Come, Sweet Death (Arr. for 5 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Minor | 1 | 5A | 88 BPM | ||
Haydn: Die Schöpfung, Hob. XXI/2, Pt. 1: No. 11, Chor, "Stimmt an die Saiten, ergreift die Leier" (Chorus) | Joseph Haydn, Nikolaus Harnoncourt, Wiener Symphoniker | B♭ Major | 2 | 6B | 103 BPM | ||
Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM |
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