Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Aria Sesta "sopra un balletto" (Book 3)' came out on November 10, 1993. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #14. In terms of popularity, Aria Sesta "sopra un balletto" (Book 3) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aria Sesta "sopra un balletto" (Book 3) by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM | ||
La Terpsichore: VI. Deuxième Rondeau | Jean-Féry Rebel, Jordi Savall | B Major | 1 | 1B | 117 BPM | ||
Quatuor No. 3 in G Major: VI. Gai | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | F♯ Major | 2 | 2B | 130 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Quatuor No. 6 in E Minor: VI. Modéré | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | E♭ Minor | 1 | 2A | 147 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Sonate, over canzoni, Op. 5 (Excerpt): Violin Sonata No. 1 in D Major "La musica" | Marco Uccellini, Noxwode, Timothy Roberts | D♭ Major | 2 | 3B | 68 BPM | ||
Sonata a 6 in A Minor, G. 14 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Sonata I, Op. 9 | Marco Uccellini, Romanesca, Andrew Manze | A♭ Minor | 0 | 1A | 116 BPM | ||
Mensa sonora / PARS III (In A Minor): 2. Sarabanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 173 BPM |
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