Alexandre Pierre François Boëly, Stephanie McCallum's '24 Pièces, Op. 20: No. 13, Romance' came out on June 1, 2018. The duration of 24 Pièces, Op. 20: No. 13, Romance is about 3 minutes long, at 3:22. Based on our data, "24 Pièces, Op. 20: No. 13, Romance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 31 in Boëly: Piano Music, Vol. 1 by Alexandre Pierre François Boëly, Stephanie McCallum. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 24 Pièces, Op. 20: No. 13, Romance is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 24 Pièces, Op. 20: No. 13, Romance by Alexandre Pierre François Boëly, Stephanie McCallum is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antigua 3 (Courante) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
Vivat Rex | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 1. Andante | George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | D♭ Minor | 1 | 12A | 79 BPM | ||
Concerto Grosso Op. 6 No. 4: I. Adagio - Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 4 | 3B | 130 BPM | ||
Jocelyn, Op. 100, Act I: Berceuse (arr. for cello and orchestra) | Anonymous, Benjamin Godard, Karoly Botvay, Budapest Strings, Béla Bánfalvi | F Major | 1 | 7B | 67 BPM | ||
Toccata in G | Théodore Dubois, Martin Schellenberg | G Major | 2 | 9B | 109 BPM | ||
Canonic Sonata for Two Violas in D Minor, TWV 40:121: Canonic Sonata for Two Violas in D Minor, TWV 40:121: I. Vivace ma moderato | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt | F♯ Minor | 1 | 11A | 124 BPM | ||
Concert Caprice on Norwegian Melodies | Johan Halvorsen, Emmanuele Baldini, Leonardo Bock | G Major | 1 | 9B | 100 BPM | ||
Couperin: Messe à l'usage des paroisses: I. Kyrie: e. Plein chant | François Couperin, Marie-Claire Alain | F Major | 3 | 7B | 67 BPM | ||
Première messe breve : Kyrie (A trois voix et basse continue) | Alexandre Pierre François Boëly, Les Petits Chanteurs de Saint-François de Versailles | E♭ Major | 1 | 5B | 73 BPM |
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