"Delius: Cello Concerto: V. Allegramente" by Frederick Delius, Jacqueline du Pré, Sir Malcolm Sargent, Royal Philharmonic Orchestra was released on January 1, 1965. Since Delius: Cello Concerto: V. Allegramente is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 11 in Delius: Cello Concerto, Songs of Farewell & A Song Before Sunrise by Frederick Delius, Jacqueline du Pré, Royal Philharmonic Orchestra, Sir Malcolm Sargent. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Delius: Cello Concerto: V. Allegramente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Delius: Cello Concerto: V. Allegramente by Frederick Delius, Jacqueline du Pré, Sir Malcolm Sargent, Royal Philharmonic Orchestra is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in D Minor, Op. 49: IV. Finale: Allegro assai appassionato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 79 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68: No. 5, Silent Woods, B. 182 (Version for Cello and Orchestra) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 125 BPM | ||
Orchestral Suite No. 1, RT VI/6: IV. Duo | Frederick Delius, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 96 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
The Firebird: 14. Lullaby of the Firebird | Igor Stravinsky, Detroit Symphony Orchestra, Antal Doráti | E♭ Minor | 0 | 2A | 65 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
Violin Concerto In D, Op. 35, TH. 59: III. Finale (Allegro vivacissimo) - Live | Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Wiener Philharmoniker, André Previn | D Major | 2 | 10B | 87 BPM |
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