Wolfgang Amadeus Mozart, Giuseppe Taddei, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Hanny Steffek, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra made "Mozart: Così fan tutte, K. 588, Act II, Scene 18: "Richiamati da regio contrordine" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)" available on 1963. The duration of Mozart: Così fan tutte, K. 588, Act II, Scene 18: "Richiamati da regio contrordine" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Mozart: Così fan tutte, K. 588, Act II, Scene 18: "Richiamati da regio contrordine" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Karl Böhm's "Mozart: Cosi fan tutte" album is number 12 out of 69. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mozart: Così fan tutte, K. 588, Act II, Scene 18: "Richiamati da regio contrordine" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mozart: Così fan tutte, K. 588, Act II, Scene 18: "Richiamati da regio contrordine" (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) by Wolfgang Amadeus Mozart, Giuseppe Taddei, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Hanny Steffek, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Concerto No. 1 in B-Flat Major, K. 207: III. Presto | Wolfgang Amadeus Mozart, Francesca Dego, Royal Scottish National Orchestra, Sir Roger Norrington | F♯ Minor | 1 | 11A | 88 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM |
Section: 0.8997907638549805
End: 0.9048714637756348