Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch made "Chansons (arr. for voice and chamber ensemble): Donnes l'assault a la fortresse" available on May 2, 1996. With this song being about 5 minutes long, at 4:37, "Chansons (arr. for voice and chamber ensemble): Donnes l'assault a la fortresse" by Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 17 in Dufay: Chansons by Guillaume Dufay, Michael Posch. Based on our statistics, Chansons (arr. for voice and chamber ensemble): Donnes l'assault a la fortresse's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Chansons (arr. for voice and chamber ensemble): Donnes l'assault a la fortresse by Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecco la primavera | Francesco Landini, Early Music Consort Of London, David Munrow | D Minor | 4 | 7A | 177 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
O salutaris hostia | Pierre de la Rue, Choir of Clare College, Cambridge, Graham Ross | F Major | 0 | 7B | 72 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Branle gay | Pierre Attaingnant, Ronn McFarlane | B♭ Major | 0 | 6B | 178 BPM | ||
Myn Hert Altyt Heeft Verlanghen II | Hans Neusidler, Capilla Flamenca | G Minor | 0 | 6A | 131 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Orchésographie: Pavane 'Belle qui tiens ma vie' (Gaillarde) 'La Traditore my fa morire' (Gaillarde) 'Anthoinette' (Gaillarde) 'J'aymerois mieulx dormir seulette' (La volte) | Thoinot Arbeau, Ensemble Clément Janequin, Dominique Visse | B♭ Major | 1 | 6B | 119 BPM |
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