Leoš Janáček, Michael Tilson Thomas, London Symphony Orchestra made "Intrada. Moderato from Glagolitic Mass" available on 1959. With Intrada. Moderato from Glagolitic Mass being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 16 in Autobahn [Drive Time] by Various Artists. Intrada. Moderato from Glagolitic Mass is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Intrada. Moderato from Glagolitic Mass by Leoš Janáček, Michael Tilson Thomas, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 70 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 1: "Vida, chvástala jsi se" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Katarina Dalayman, Amanda Majeski | F♯ Major | 1 | 2B | 79 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 2: "Abych ani otce" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Andrew Staples, Katarina Dalayman | A♭ Minor | 1 | 1A | 104 BPM | ||
Waldszenen, op. 82: I. Eintritt | Robert Schumann, Zoltán Fejérvári | E♭ Major | 0 | 5B | 91 BPM |
Section: 0.6968839168548584
End: 0.7017624378204346