"Serenade in C Major, Op. 48 (arr. M. Lippold and A. Goldstone for piano): III. Elegie" by Anthony Goldstone, Pyotr Ilyich Tchaikovsky, Max Lippold was released on April 1, 2013. Since Serenade in C Major, Op. 48 (arr. M. Lippold and A. Goldstone for piano): III. Elegie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Tchaikovsky: Rare Transciptions & parapharases, Vol. 1". In this album, this song's track order is #10. The popularity of Serenade in C Major, Op. 48 (arr. M. Lippold and A. Goldstone for piano): III. Elegie is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenade in C Major, Op. 48 (arr. M. Lippold and A. Goldstone for piano): III. Elegie by Anthony Goldstone, Pyotr Ilyich Tchaikovsky, Max Lippold having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Sonate in E-Flat Major, Op. 47: I. Allegro spiritoso | Ignaz Moscheles, Anthony Goldstone, Caroline Clemmow | B♭ Major | 2 | 6B | 123 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 2, A Blown-Away Leaf | Leoš Janáček, Lars Vogt | D♭ Major | 0 | 3B | 75 BPM | ||
Piano Sonata in F-Sharp Minor, D. 571 (Completed by G. Bruno): III. Andante, D. 604 | Franz Schubert, Giuseppe Bruno | D Major | 0 | 10B | 86 BPM | ||
Variation | Egon Wellesz, Margarete Babinsky | F♯ Major | 0 | 2B | 123 BPM | ||
Infinite Power | Stanley Roth, Vincent & A Secret, Lucy Atkinsons | A♭ Major | 0 | 4B | 78 BPM | ||
3 Mélodies, Op. 5: No. 4, Lento appassionato, H-U 438 | Fanny Mendelssohn, Sontraud Speidel | D Major | 2 | 10B | 86 BPM | ||
Feuillet d'album in B-Flat Major, Op. 81 | Camille Saint-Saëns, Anthony Goldstone, Caroline Clemmow | F Minor | 1 | 4A | 93 BPM | ||
Piano Sonata in F Minor, Op. 27: II. Andante sostenuto e molto espressivo - | Sergei Lyapunov, Anthony Goldstone | E Major | 1 | 12B | 76 BPM | ||
16 Waltzes, Op. 39: No. 7 in C-Sharp Minor | Johannes Brahms, Duo Degas | D Minor | 0 | 7A | 80 BPM |
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