Prabhanjan Marathe, Tyagraj Khadilkar, Anup Jalota, Megha Gogate, Varsha Bhave, Madhuri, Shekhar Kumbhojkar, Mangala Kane made "Aarti Shree Sadhguru Babasai - Version 1" available on January 28, 2014. The duration of Aarti Shree Sadhguru Babasai - Version 1 is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Aarti Shree Sadhguru Babasai - Version 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Shirdi Sai Baba - Mandir Aarti". In this album, this song's track order is #17. In terms of popularity, Aarti Shree Sadhguru Babasai - Version 1 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Aarti Shree Sadhguru Babasai - Version 1 by Prabhanjan Marathe, Tyagraj Khadilkar, Anup Jalota, Megha Gogate, Varsha Bhave, Madhuri, Shekhar Kumbhojkar, Mangala Kane having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sri Yantrodharaka Anjaneya Stotram | Puttur Narasimha Nayak | G Major | 5 | 9B | 68 BPM | ||
Dwadash Jyotirlinga | Pujya Bhaishree Rameshbhai Ojha | A Major | 3 | 11B | 111 BPM | ||
Sri Kedar Stuthi - Sri Mrityunjay Hirmeth | Param Shaiv, Mrityunjay Hirmeth, Shekha Nautiyal | D♭ Major | 2 | 3B | 74 BPM | ||
Hare Krishna Hare Krishna Meditation | Agam Aggarwal | C Major | 3 | 8B | 128 BPM | ||
Hari Stotram | Mangesh Borgaonkar | E♭ Major | 4 | 5B | 114 BPM | ||
Bol Re Maan Kali Kali | Ravindra Jain | G Major | 7 | 9B | 87 BPM | ||
Karagre Vasate Lakshmi | Nitya Antapur | A Minor | 2 | 8A | 79 BPM | ||
Siddha Kunjika Stotram | SHRI PREM PRAKASH DUBEY | F♯ Major | 4 | 2B | 179 BPM | ||
Ananta Tula Kon Pahu Shake | Jitendra Abhisheki | A♭ Major | 3 | 4B | 81 BPM | ||
Sab kuch to mil gaya hai | Brahma Kumaris | B Major | 4 | 1B | 143 BPM |
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