"The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Nerikal jsem to?" by Leoš Janáček, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras was released on January 1, 1982. With this song being about 5 minutes long, at 4:50, "The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Nerikal jsem to?" by Leoš Janáček, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leoš Janáček, Lucia Popp, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras's "Janácek: The Cunning Little Vixen" album is number 7 out of 31. In terms of popularity, The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Nerikal jsem to? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 3: Nerikal jsem to? by Leoš Janáček, Dalibor Jedlicka, Wiener Philharmoniker, Sir Charles Mackerras to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegia | Anton Arensky, Wilkomirski Trio | G Minor | 0 | 6A | 110 BPM | ||
Intimate Sketches: No. 8, Waiting For You | Leoš Janáček, Olena Kushpler | D♭ Minor | 0 | 12A | 169 BPM | ||
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM |
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